06.21.10 Client News

LAPD building demonstrates environmental leadership and community connection, while meeting seismic requirements

Considered the most expensive building of its kind, the $437 million Los Angeles Police Administration Building also is among the greenest, thanks in part to Wausau Window and Wall Systems.

©Tim Griffith

©Tim Griffith

In May 2010, the building earned Gold certification under the LEED® Green Building Rating System™ for new construction. The LAPD Headquarters project also was recognized in 2009 with the American Institute of Architects’ presidential honor award for “Building Team of the Year” and in June 2010 with the “Q Award” from the Alliance for Quality Construction.

Opened in October 2009, the 10-story, 500,000-square-foot structure maximizes the advantages daylighting and energy-efficiency. Aiding in this effort, the building features high-performance glass, recycled/recyclable aluminum framing and ornamental details, and environmentally friendly, durable paints.

Contributing to the building’s intended longevity, the window and curtainwall systems also were tested to meet stringent performance criteria. Seismic performance was of particular concern as the previous police administration building, constructed 1955, and was not expected to withstand another moderate earthquake.

One block south of its prior location, the new facility sits on the lot formerly occupied by the Caltrans building. The new police headquarters’ modern glass-metal-concrete exterior blends with the neighboring architectural icons including the new Caltrans building, City Hall, the Los Angeles Times building and St. Vibiana’s Cathedral.

Los Angeles-based AECOM (formerly DMJM Design) designed the Los Angeles Police Administration Building in joint venture with Roth + Sheppard of Denver. Tutor-Saliba Corporation of Sylmar, Calif., served as the project’s general contractor throughout the three years of construction. According to Tutor-Saliba’s James Nies, Wausau’s participation in this challenging project included “implementing a value-engineered system that saved the City significant amount of money. Achieving this required thorough submittal coordination, as well as installation tolerances with the adjacent, pre-cast concrete wall system.”

Geometric shapes, highly transparent glass and windows were incorporated throughout the building’s exterior to invite natural light and sightlines that connect the city’s law enforcement with the community it serves. Light colors and finishes are used to further communicate this sense of warmth and openness.

Many watching the project’s progress noted the visible transformation from structural framework to physical building began last summer as the first glass lites were installed. Specialty glazing contractor Metz Enterprises, Inc. of Anaheim, Calif., carefully and quickly installed the large windows and curtainwall units supplied by its manufacturer of choice, Wausau Window and Wall Systems.

Helping save time and labor in the field, the majority of the 100,000-square-feet of windows and curtainwall systems were shop-glazed and pre-assembled into ready-to-install units, then staged, sequenced, crated and shipped to the job site. To ensure proper performance protected by an up to 10-year warranty, these units were factory-glazed in Wausau’s climate-controlled, LEED-Silver certified manufacturing facility.

“Performance is critical,” emphasizes Wausau’s senior project manager, Kurt Beidle, who was involved from the earliest stages of the Los Angeles Police Administration Building’s development. “The project was tested for air, water, structural, floor displacement and seismic movement with repeated air and water tests between each requirement. This included both static and dynamic water tests on the windows, and on the unitized curtainwall. A full, two-story mock-up of the curtainwall, including the pre-cast, was assembled to match the descriptions and conditions, and successfully tested.”

Beidle also notes, “The unitized curtainwall had a simulated acid etch, as well as two different dot patterns. Viracon provided VRE1-67 and VE1-2M high-performance, insulated glass. The glass was silk-screened with a custom dot pattern that varied by elevation. Some locations had white dots; some black dots. It depended on the solar and optical needs of its placement on the building.”

Along with the custom silk-screened glass, the curtainwalls’ deep sightlines and shadow boxes add visual interest to the façade. Similarly, the window pattern avoids a grid-like layout in favor of an open, yet secure, staggered arrangement. For these 429 ‘punched’ openings, Wausau supplied factory-glazed, custom windows. “These were specifically designed for this project with a very thin metal profile along the side of the pre-cast opening. Each opening consisted of a pre-glazed, two-section window with the upper portion of the window in front of a pre-cast panel to accommodate quick, safe installation from the building’s interior,” explains Beidle.

For the street-level installation, Wausau fabricated a custom, butt-glazed, knocked-down wall system to enclose the café and auditorium. Beidle adds. “We also supplied the aluminum canopies for the entrances, as well as the decorative trim at the roof coping, and the vertical ‘knife point’ of the building. We also worked closely with the architectural staff to design custom interior trim, as well as custom exterior caps for the aesthetic look they were seeking.”

Supporting the project’s architectural goals for appearance and performance, the aluminum framing and components were painted by Linetec in a three-coat, Champagne Gold II metallic Duranar® coating, which meets or exceeds all criteria of the AAMA 2605 specification. “These are the most weather-resistant of all finishes,” says Jon Close, Linetec’s vice president of sales and marketing. “The three-coat process includes primer, topcoat and clear finish. This combination provides outstanding resistance to humidity, color change, chalk, gloss shift and chemical cleaning.”

Linetec’s environmentally responsible, liquid paint application also supports many projects’ green building goals. During the finishing process, Linetec captures and destroys the Volatile Organic Compounds (VOCs) present in solvent-borne paints.

©Tim Griffith

©Tim Griffith

Within its finished interior, the Los Angeles Police Administration Building has dedicated spaces for administration and investigative operations, a Police Commission hearing room, conference center, state-of-the-art communications and command center, 200-seat café, and a 450-seat auditorium. Many of the building’s large assembly areas are used for civic and community functions as are its outdoor plazas and gardens.

The building was turned over to the owner, City of Los Angeles’ Department of Public Works, on time and under budget in September 2009. Eager to relocate, the 2,300 law enforcement officers and employees immediately began moving into the much-needed space and comfort of their new home.

Download a PDF of the full success story by clicking here.

06.18.10 Client News

Saint Elizabeths’ new, mental health care facility designed with daylight, green spaces; replaces 155-year-old institution

In April, Saint Elizabeths Hospital in Washington, D.C., welcomed patients and staff into a new, mental health care facility. Established in 1852, Saint Elizabeths was the first large-scale, federally-run hospital for people with mental illness. The move completes a transition from the historic, psychiatric institution into a modern, healing environment.

Designed by Einhorn Yaffee Prescott Architecture & Engineering, the new hospital is centered on recovery-based mental health treatment and the highest quality, patient care. The facility’s design incorporates numerous sustainable design elements such as a 28,000-square-foot green roof, the strategic use of garden spaces and natural light.

Contributing to these green goals, the building’s operation, the occupants’ outlook and the patients’ safety, Wausau Window and Wall Systems provided Saint Elizabeths’ new facility with 373 project-in, psychiatric-grade window units. Glazing contractor Clyde McHenry, Inc., worked closely with Wausau and with general contractor Tompkins Builders, Inc. to ensure all criteria were met.

Under the guidance of Gilbane Building Company, Tompkins Builders began construction in 2006 on the $140 million, 450,000-square-foot, state-of-the-art facility. In 2008, Clyde McHenry installed the psychiatric-grade windows throughout the building. “It was a massive project, but our portion went well. We do windows and we’ve done several jobs with Tompkins before this,” says Fred Peters, Clyde McHenry’s director of sales and project manager. “We got with Wausau and worked it out. We’d exchange the drawings, make sure we met the specs, then submitted it to the architect for approval.”

Helping earn this approval, Wausau’s time-tested psychiatric windows were furnished with interior polycarbonate glazing, human impact resistant to prevent unauthorized egress or passage of contraband. The design employed has been in successful use for more than 20 years, on scores of institutions nationwide. “If a patient strikes or throws an object against the window, energy must be transferred sequentially through hardware, window frames, anchorage and substrates,” explains Lisa May, Wausau’s health care market manager.

The windows units’ aluminum framing offer a durable, low-maintenance, Dark Bronze anodize, as finished by Linetec. Also helping minimize maintenance, Wausau’s 3250-DT Series windows were specified with 5/8-inch, between-glass blinds. The integral blinds reduce the potential dangers of exposed cords and slats. Concealed hinges and tamper-resistant locks secure the opening during normal operating conditions. In the event of an emergency, the operable windows allow rescue personnel to enter the building or to open a series of units for rapid fresh air circulation.

“While patient safety remains a primary consideration in psychiatric applications, facilities like Saint Elizabeths are creating a more home-like atmosphere with natural light and unrestricted views to the outside,” adds May.

Saint Elizabeths Hospital provides intensive, in-patient care for individuals with serious and persistent mental illness who need the security and structure to assist in their recovery. Saint Elizabeths also provides mental health evaluations and care to patients committed by the courts. The Hospital is part of the D.C. Department of Mental Health (DMH), which serves 17,000 adults, children and youth each year.

Saint Elizabeths Hospital’s original, 155-year old facility is located east of the Anacostia River. Its historic buildings date back to 1855 when it opened as the Government Hospital for the Insane. During the Civil War, the facility was converted temporarily into a hospital for wounded soldiers. In 1916, its name was officially changed to Saint Elizabeths. In 1991, the National Trust for Historic Preservation declared the site a National Historic Landmark. In September 2009, the U.S. Department of Homeland Security broke ground on this notable campus to construct its consolidated headquarters.

The first of many structures erected on the campus was the Center Building, designed by Thomas U. Walter, architect of the Capitol. The building’s floor plan is one of the nation’s earliest relying on the therapeutic direction of Thomas S. Kirkbride, one of the founders of the American Psychiatric Association. Charles H. Nichols, the hospital’s first medical superintendent, enhanced Walter’s design and Kirkbride’s plan to emphasize patient observation, as well as ventilation and external views. These architectural characteristics remain essential elements of the new Saint Elizabeths Hospital.

Throughout its history, Saint Elizabeths is estimated to have served more than 125,000 patients. Well-known patients have included Ezra Pound and John Hinckley, Jr. Today, the new facility and its staff have the capacity to care for approximately 300 patients and to develop a personalized treatment plan helping each patient achieve the highest quality, mental health outcomes.

Download a PDF of the full success story by clicking here.

06.17.10 Client News

Steve Seeling joins Tubelite as client development manager

Tubelite Inc. has hired Steve Seeling, CDT, as a client development manager representing the company’s architectural aluminum products. In this role, he assists commercial building teams in Nebraska, Kansas, western Missouri and Arkansas.

Seeling draws from three decades of experience in helping owners, designers and installers select windows, entrances, storefronts and curtainwall systems. Most recently, he worked at Traco as an architectural sales representative with a similar territory. Throughout his career, he has contributed to dozens of educational health care, hospitality and historically-significant projects in the region, including facilities at the University of Kansas, University of Missouri, and the University of Nebraska.

In addition to his new position with Tubelite, he also serves as an architectural sales representative for Wausau Window and Wall Systems. “Tubelite and Wausau’s products complement each other to offer customers a full range of performance choices for their building envelope,” says Seeling. “Working exclusively with these two companies, I’ll specialize in premium fenestration products; ones that add value through energy efficiency, distinguished style and dependability. When customers understand their options, they can make better-informed decisions to ensure the correct product for their application.”

As an example, Seeling notes that Tubelite and Wausau’s products contribute to customers’ green goals such as the U.S. Green Building Council’s LEED® Rating System™. All of Tubelite’s storefront, curtainwall, entrance and daylight control systems are manufactured using EcoLuminum™, a high recycled-content aluminum billet composition featuring environmentally-friendly finishes. Many products also are available with high thermal performance to support buildings’ energy-efficient operations. “Along with the right products, Tubelite and Wausau provide educational programs to help architects increase their knowledge of the total, integrated façade,” says Seeling.

A graduate of Missouri Valley College in Marshall, Mo., Seeling earned a bachelor’s degree in economics. He continues his professional development with industry associations such as Construction Specifications Institute, through which he successfully completed the Construction Documents Technology (CDT) program.
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06.16.10 Client News

Curious Collection’s new swatchbook presents waterfalls of colorful, environmental choices

From the embossed and clear foil-stamped imagery on the cover to the interior pages’ colorful waterfalls, the new Curious Collection Swatchbook invites designers to explore the full offering of Curious Metallics, Translucents, Touch, Particles, and Skin Curious Collection.

Green Power is now a standard feature for four of the Curious Collection product lines — Metallics, Translucents, Skin, and Particles. The renewable energy purchased is in the form of wind, hydro, and biogas and comes at no extra cost with customers’ orders.

Along with the addition of Green Power, four of the most-popular Metallics sheets also are available in 100% post-consumer recovered fiber (PCW) content. The entire Curious Collection is Forest Stewardship Council (FSC) certified and available in new, convenient, smaller sheet count packages.

The Metallics line also added 11 new, fashion-inspired colors to complement the 12 current colors. In addition, Curious Translucents updated its palette with seven new colors. Beneath these colorful sheets, the swatchbook shares an easy-to-reference stock guide and printing tips.

The new Curious Collection Swatchbook is available by calling 800-779-0872.

For more information on the Curious Collection, please visit CuriousPapers.com and click on the Curious Penguin to find and contact a local representative.

The Curious Collection of fine papers are manufactured by Arjowiggins, headquartered in Paris, France, and distributed exclusively in North America by Appleton Coated.  Appleton Coated is headquartered in Kimberly, Wisconsin.
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06.15.10 Event News

Hamilton Wood Type announces Wayzgoose presenters and panelists, release of Matthew Carter’s typeface, 130th anniversary open house, workshop with Brad Vetter from Hatch, and more

Hamilton Wood Type and Printing Museum presents a full calendar of activities, including the second annual Wayzgoose conference on Nov. 5-7. Jim Sherraden of Hatch Show Print will be the Wayzgoose’s featured presenter.

Wayzgoose traditionally was a dinner given by an apprentice to fellow workers at which the goose was the principal dish. Reflecting this spirit of camaraderie and welcoming a wider range of participants to the winter event, Hamilton Wood Type’s staff and Sherraden will be joined by David Shields of University of Texas-Austin, Nick Sherman of The Woodtyper, and Paul Gehl of the Newberry Library. The Gutenberg Museum and Tipoteca Italiana also will lead a roundtable discussion at Wayzgoose on the subject of preservation through education in letterpress.

Matthew Carter’s “Carter Latin Typeface,” designed for Hamilton Wood Type, was introduced at the 2009 Wayzgoose. The typeface was re-named in honor of Jim Van Lanen, Sr., founder of the printing museum. A digital version of “Van Lanen Latin” is available exclusively from Hamilton Wood Type through 2013.

Celebrating its 130th Anniversary of preserving, studying, producing and printing wood type, Hamilton Wood Type will host an Open House on July 3. In addition to showcasing the “Van Lanen Latin Typeface,” examples of the new Lushootseed alphabet wood font will be displayed.

Lushootseed is an endangered Native American language. Seattle-based designer Juliet Shen designed a digital font for the Tulalip Tribes and is working with Hamilton Wood Type to preserve the Lushootseed alphabet and language. Tulalip tribal schools in Washington state plan to incorporate the wood type and letterpress printing into future classroom activities.

In August, Brad Vetter of Hatch Show Print will conduct a special letterpress workshop at Hamilton Wood Type. The museum offers more than a dozen printing workshops throughout the year.

To register for these and other upcoming events, please contact Jim Moran, museum director, at 920-794-6272, jim.moran@woodtype.org, or visit http://www.woodtype.org.

Hamilton Wood Type and Printing Museum’s upcoming activities and events include:

Matthew Carter’s “Van Lanen Latin”
Through 2013
$50.00 for a single user

Matthew Carter’s first typeface designed specifically for wood now is offered in a digital version, exclusively available from Hamilton Wood Type through 2013. “Van Lanen Latin,” named in honor of Jim Van Lanen, Sr., founder of the printing museum, was unveiled at Hamilton Wood Type’s 2009 Wayzgoose.

Look for the June feature article in Eye magazine.

Typeface DVD + Poster
$29.95 pre-order price + $4.00 shipping & handling

Kartemquin Film’s documentary film, “Typeface,” showcases the successes and challenges of Hamilton Wood Type and Printing Museum. Directed by Justin Nagan, the one-hour documentary film is being screened around the world and now, can be purchased for individual viewing on the small screen.

Along with extra scenes, the first 1,000 DVD copies include a limited-edition poster, designed by Hamilton Wood Type’s artistic director, Bill Moran, and printed at the museum in Two Rivers, Wis.

Girls of the Globe Pin-Up Calendar Collection Continues
Through December
$50.00 for each limited edition print

Hamilton Wood Type begins printing the second-half of the year’s “Girls of the Globe.” Each month, a lovely lady from the Globe Printing plate collection is featured and her calendar page is available for sale at the Etsy store. Previous pin-ups will remain available as long as supplies last. Other limited edition prints are offered at the Etsy story and directly through Hamilton Wood Type.

Pre-Wayzgoose Workshop for Educators
November 3-4, Workshop
July 1, early bird registration
registration closes October 15 or as soon as capacity is confirmed
$125 registration fee before July 1
$150 registration fee after July 1
hotel accommodations can be made at the Lighthouse Inn

Encouraging the study and instruction of wood type and letterpress printing, Hamilton Wood Type has added a pre-conference workshop especially for educators. Representatives from the Gutenberg Museum and Tipoteca Italiana will lead and contribute to the discussions. Other participants and attendees will include professors from the University of Minnesota and University of Wisconsin. Watch for details.

Second Annual Wayzgoose Conference
November 5-7, Conference
July 1, early bird registration
registration closes as soon as capacity is confirmed
$125 registration fee before July 1
$150 registration fee after July 1
hotel accommodations can be made at the Lighthouse Inn

Featured activities will include:
* A presentation by Jim Sherraden of Hatch Show Print
* Additional presentations by David Shields of University of Texas-Austin, Nick Sherman of The Woodtyper, and Paul Gehl of the Newberry Library
* Roundtable discussion with representatives from the Gutenberg Museum and Tipoteca Italiana
* An open house and tour of the museum
* An on-site sale of limited-edition posters
* Hands-on workshops
Watch for details.

130th Anniversary Open House
July 3, 10 a.m.-4 p.m.
Free

Celebrating its 130 years of preserving, studying, producing and printing wood type, Hamilton Wood Type welcomes museum volunteers, Hamilton retirees and friends of the museum. There will be type cutting demonstrations and tours throughout the day. Samples of “Van Lanen Latin” and the new Lushootseed alphabet wood font will be displayed.

Watch for details.

Lushootseed Wood Font
August

As the new academic year starts, Hamilton Wood Type will deliver the first-ever Lushootseed wood font to the Tulalip tribal schools in Washington state. Native Americans living in the area are attempting to restore this 500-year-old language to everyday use and to preserve the phonetic alphabet that was created in the 1960s.

Using a digital alphabet drawn Seattle-based designer Juliet Shen, Hamilton Wood Type cut a new wood font of the Lushootseed alphabet. Hamilton also is creating a series of instructional posters and providing tabletop letterpress printing equipment. This will allow the students to experience and “manipulate” the letterforms of their language.

Letterpress with Brad Vetter of Hatch Show Print
August 21, Workshop
July 29, registration due
registration closes as soon as capacity is confirmed
$125 registration and supplies fee
hotel accommodations can be made at the Lighthouse Inn

Originally from Louisville, Ky., Brad Vetter has spent the last five years designing and printing letterpress work at the legendary Hatch Show Print in Nashville, Tenn.

Hatch Show Print is one of the oldest continually operating letterpress shops in the country, established in 1879. Known for their iconic posters, Hatch uses their archive of wood (mostly from Hamilton) and lead type, along with images carved out of wood and linoleum to create more than 500 jobs a year. Vetter’s fresh take to letterpress and the 131-year-old archive allows him to create hip and aesthetically appropriate designs for the clients such as Anthropologie, Bike Magazine, Neko Case, Rebel Wine Co. and Wilco.

This autumn weekend workshop will be limited to 15 participants who will work side-by-side with one of the world’s premier letterpress printers and designers. Previous printing experience is helpful buy not required.

Other activities and events featuring Hamilton Wood Type’s leaders and volunteers include:

“Typeface” The Movie
July 3, Trondheim – Norway premiere
July 6, Nickelodeon Theatre in Columbia, S.C. –South Carolina premiere

Kartemquin Film’s “Typeface” documentary showcases the successes and challenges facing Hamilton Wood Type. Directed by Justin Nagan, the one-hour film is being shown throughout the year and throughout the world.

Representatives from Hamilton Wood Type and Printing Museum occasionally join the filmmakers for panel discussion. Limited-edition posters, designed by Purdue University’s Dennis Ichiyama, were printed at Hamilton and are available for sale through Kartemquin’s “Typeface” online store.

Bill Moran at The Gutenberg Museum
Through September 30
Exhibition at the Druckladen: Letterbugs and Other Insects

Hamilton Wood Type’s artistic director, Bill Moran, traveled to one of the oldest museums of printing in the world – The Gutenberg Museum in Germany. As a featured guest of the museum, Moran conducted printmaking and wood type workshops, developed his children’s book featuring his typographic insects, and exhibited posters of his “big type bugs.”

About Hamilton Wood Type and Printing Museum
Hamilton Wood Type began producing type in 1880 and within 20 years became the largest provider in the United States. Today, volunteers of the Two Rivers Historical Society preserve this legacy and host educational demonstrations, field trips, workshops and offer opportunities with this vast wood type collection. The museum also illustrates antique printing technologies including the production of hot metal type, hand-operated printing presses, tools of the craft and rare type specimen catalogs.

Hamilton Wood Type and Printing Museum is located at 1619 Jefferson St., Two Rivers, WI 54241. In addition to the special events, the museum is open from May to October, 9 a.m.-5 p.m., Tuesday through Saturday, and 1-5 p.m. on Sunday. Those planning to visit during these normal hours of operation are encouraged to call ahead, 920-794-6272.
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Follow Hamilton Wood Type and Printing Museum
on Twitter at @hamiltonwoodtyp
on Facebook

06.14.10 Client News

“Print With Purpose” shares compelling statistics on the result-generating power of creative, printed communications

Print With Purpose” defines the role of print in the rapidly-evolving marketing landscape and demonstrates its positive impact on the bottom line. This resource from Appleton Coated is designed to provide insight and inspiration to decision-makers involved in

"Timeless. Important. Engaging."

choosing print, and to all who play a role in its creation and execution. Powerful statistics and supporting commentary explain how printed communication drives action and delivers results.

Appleton Coated compiled this data-rich content based on discussions with direct marketing professionals, industry thought-leaders and the most current industry research. “We’ve found print’s role in the marketing mix is as vital as ever,” says Phil Cavalier, vice president of marketing at Appleton Coated.

She continues, “Print’s engaging, tactile, and interactive qualities create a personal connection, and through this emotional association, brands are built. It is portable and influential. It’s the preferred format for senior executives for gaining insightful, informative analysis. Across all audiences, print ignites action online, sparks interest and trial, and leads to sales, response and loyalty.”

Print With Purpose

“Print With Purpose” succinctly describes these traits, backs up the observations with facts and figures, and presents the information in a stop-you-in-your-tracks visual package. To further assist the reader, “Print With Purpose” contains a checklist on strategy and execution for purposefully printed communication.

Designed by The Thorburn Group in Minneapolis, it features images by Minnesota-based photographer Ben McKean and photo stylist Maureen Burns. The Hennegan Company of Florence, Ky., printed the piece using Appleton Coated’s extra bright U1X:Green cover and text papers. The techniques described in the page-by-page production notes in “Print With Purpose” detail how the richly saturated photos and the bold solids maximized each finish in the U1X:Green family.

U1X:Green is part of the Utopia family of coated printing papers. A Forest Stewardship Council (FSC) certified product, it is manufactured with 20% post-consumer recovered fiber and with Green Power, electricity in the form of renewable energy. Available in gloss, silk, and matte finishes and up to 120 lb. cover, U1X:Green may be specified in traditional folio or digital sizes and web applications. The Utopia Express Custom Size Sheet Program allows U1X:Green customers to save time, money, and resources with ‘two-days to ship’ service on custom-size sheets.

To request a copy of “Print With Purpose,” please visit AppletonCoated.com. Watch for additional information from Appleton Coated on how purposeful, creative print delivers a positive Return on Investment.
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06.12.10 Client News

Kolbe participates in the DOE’s Volume Purchase Program, promotes energy-efficient R-5 windows

Kolbe is an inaugural participant of the Department of Energy’s (DOE’s) Volume Purchase Program (VPP) promoting energy-efficient R-5 windows. Windows with an R-5 value (or a U-factor of 0.2) represent the industry’s top tier of energy-efficient windows. The VPP allows window companies that have qualifying products to promote products through the designated website.

Builders visiting the DOE’s VPP website may select a size range with its associated cost range. After the size is chosen, a list of links to qualified manufacturers will appear. At this time, when users may click on Kolbe and the link will take them to the Kolbe website’s “where to buy” section. Entering a zip code enables visitors to receive contact information for distributors in their region.

The Kolbe Windquest® EP Series are among the products available on the DOE’s VPP website. These low-maintenance, long-lasting casement and studio windows exceed 2010 ENERGY STAR® criteria for all U.S. climate zones. A 1-1/4-inch, triple-glazed system helps these products achieve the required energy performance ratings needed to be part of the VPP.

A full news release and other information are available in Kolbe’s online press room.

06.10.10 Client News

Tubelite adds Mike Efeney as architectural sales representative in North Texas

Mike Efeney joins Tubelite Inc. representing the company’s architectural aluminum products in northern Texas and Oklahoma.

Located near Dallas in Rockwall, Texas, Efeney shares educational and technical information on Tubelite’s contribution to green goals such as the U.S. Green Building Council’s LEED® Rating System™. Among green buildings’ goals are energy-efficiency and recycled materials.

All of Tubelite’s storefront, curtainwall, entrance and daylight control systems are manufactured using EcoLuminum™, a high recycled-content aluminum billet composition featuring environmentally-friendly finishes. Tubelite’s EcoLuminum contains a minimum of 80% reclaimed aluminum.

Efeney is well-versed in LEED criteria and other green building guidelines. Most recently, he worked as a sales manager with Armstrong World Industries, Inc.’s Ceilings – Architectural Specialties. While there, he was responsible for high-end wood and metal products, as well as coordination for nine local representatives serving Arkansas, Colorado, Louisiana, New Mexico, Oklahoma and Texas.

Drawing from nearly 20 years of experience in architectural product sales, the majority of Efeney’s career has been in the glass and glazing industry. After graduating from the University of North Texas, he began working with U.S. Aluminum. He quickly moved from assisting with the customer installation program into territorial sales serving Georgia.

From there, he accepted a position with Vistawall as territory sales manager for North Texas and western Oklahoma. He continued to grow sales and develop strong customer relationships, leading to his eventual role as district sales manager with responsibilities for four local sales representatives, major projects in the southern states, and architectural consultations.

Efeney, his employers and their clients have contributed to such notable projects as the Dallas Fort Worth International Airport, American Airlines Center in Dallas, Love Field Airport renovation in Dallas, Tulsa Convention Center in Oklahoma and the renovation of Oklahoma City’ Will Rogers World Airport.

Throughout Efeney’s professional path, he has been an active member of the Texas Glass Association and the Construction Specifications Institute. Also a husband, father and avid cyclist, he enjoys sharing his passion for sports and the outdoors with this family.
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06.09.10 Client News

The new Utopia Swatchbook showcases all six Utopia lines by grade level and environmental attributes
New design helps customers choose the “perfect pairing” of paper and project

Appleton Coated’s new Utopia Swatchbook organizes its six distinctive lines of paper by grade level and environmental attributes — all under the theme of “the perfect pairing.” With the cover featuring a bee and daisy, the inside imagery reflects other traditional “pairings.” The six Utopia product lines reflect their personalities, Forest Stewardship Council (FSC) certification, and various shades of “green.” Options range from certified, virgin fiber products to certified fiber products manufactured with up to 30% post-consumer fiber (PCW). All of Appleton Coated’s Utopia products are either offered with Green Power as standard or with the ability to add it to the order.

Within the new swatch, a comprehensive “Print Demo” presents selections to help creative professionals, corporate specifiers, and printers select the best paper option and techniques for smart, sustainable print projects. A mini environmental tutorial also answers questions about green design goals, such as how to properly credit the paper’s environmental benefits and savings. Online, the “Utopia Green Zone,” offers an easy, interactive format to compare up to four product choices and calculate the environmental savings.

The Utopia Swatchbook contains samples of every basis weight, shade and finish, and stocking information for each paper option:

* Utopia Premium in Gloss, Silk and Ivory Silk — This triple-coated, super-smooth sheet optimizes the printing surface for heavy ink coverage. Utopia Premium is an FSC-certified, virgin fiber product.

* Utopia One (U1) in Gloss, Dull and Matte — This soft blue-white shade with high paper gloss and surface smoothness provides a clean, neutral backdrop that is ideal for flesh tones and warm color palettes. U1 is a visual shade match to Utopia Premium, for convenient pairing. This FSC-certified paper contains a minimum of 10% PCW.

* U1X:Green in Gloss, Silk, and Matte — The extra-bright, extra-blue shade maximizes the contrast between printed and non-printed areas to make images seem to pop off the page. U1X:Green is FSC-certified, manufactured with Green Power, and contains a minimum of 20% PCW.

* Utopia Two (U2) in Gloss, Dull, and Matte — Offering excellent value in a clean, blue-white shade, U2 takes projects from cut-size to super-size sheets, and to high-quantity web runs. Both web and sheets contain a minimum of 10% PCW. U2 sheets are FSC-certified.

* U2:XG in Gloss, Dull, Matte, and Ivory Matte — FSC-certified, this “extra” environmentally-sensitive sheet contains 30% PCW and is manufactured with Green Power. The pleasing blue-white shade of U2:XG easily mixes and matches with standard U2 to meet the diverse needs of a multi-project campaign.

* Utopia Three (U3) in Matte — The softly-textured sheet is a popular choice for budget-conscious, high-volume, and direct mail applications. An FSC-certified, virgin fiber product, U3 can be specified with up to 30% PCW.

Designed by The Thorburn Group of Minneapolis, the new Utopia Swatchbook includes lushly detailed, colorful images by photographer Ben McKean. To request the new Utopia Swatchbook, please visit UtopiaPaper.com and click on “Order Samples.”

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06.08.10 Association News

AAMA Announces Five Scholarship Award Winners

The American Architectural Manufacturers Association (AAMA) celebrates 10 years of furthering the careers and educations of students pursuing a degree related to the building products industry by awarding five scholarships to children of employees of AAMA member companies. This is the ninth consecutive year that these scholarships have been awarded. The scholarship award winners were announced at the 2010 AAMA National Summer Conference, held June 6-9 in Oak Brook (Chicago), Ill.

“We’re proud to recognize many accomplished students each year who have worked hard to achieve their educational goals in pursuit of a career in architecture, engineering and related fields,” stated Rich Walker, AAMA president and CEO. “There is great value in supporting these students at a formative time in their education so that they can later make important contributions through their work in the building products industry.”

To commemorate the 10th anniversary of the program, past winners were recognized during the association’s National Summer Conference. Past scholarship winners are now working in a variety of fields including construction management, architecture, medicine and engineering.

The AAMA Scholarship Program offers families of employees of AAMA member companies the opportunity to obtain financial aid for higher education in pursuit of a degree in an engineering or technical field relating to the building products industry. The scholarship is a one-time award of $2,000. Applicants are judged on grade point average, college entrance exam scores, and a 500-word essay. Eligible candidates must be high school seniors or college students, who are children of employees of AAMA member companies in good standing.

In addition to these national awards, AAMA member companies have the opportunity to participate in the Scholarship Partner Program in conjunction with the AAMA Scholarship Program to provide a scholarship opportunity for children of their own employees.

For more information on AAMA Scholarship Programs, contact Evy Lipecka, AAMA membership coordinator.

A full news release announcing all of the 2010 scholarship recipients is available online at AAMA’s online news room.